Private Lives: The Original Rom-Com

We have all at some point known of couples who are stuck in the vicious cycle of break up – get back together – break up – get back together.  Rinse and repeat.  What is it that makes them keep going back for more even though they are clearly not right for each other?

Written in 1929 by the late Noël Coward, Private Lives explores this particular brand of temperamental, mismatched love.  Elyot and Amanda are happily divorced and five years on they are now honeymooning with their new spouses.  Little do they know that as rotten luck would have it, both couples happen to be doing so in the same hotel right next to each other.  Awkward.

I really enjoyed the first act.  It sets up not only the tone of the play perfectly but through Sibyl and Victor’s incessant questioning, we also learn of Elyot and Amanda’s volatile relationship filled with narcissistic egos and constant bickering which ultimately ended due to alleged infidelity.  A lit line in the middle of the stage marks the two balconies of their adjoining hotel suites and the scene goes back and forth between the couples seamlessly, with their conversation bouncing off each other in an uncanny mirrored symmetry.

Against the stark white backdrop, music forms the heartbeat of the play and the friendly banter between the two new lovers takes a turn when Lou Reed’s dreamy and melancholic Perfect Day starts playing.  When Elyot and Amanda finally set eyes on each other, all hell breaks loose and what unfolds is nothing short of chaotic comedic mayhem.  Although Elyot has an overwhelming “sensation of impending disaster”, this is ignored completely for the irresistible pull they have towards each other and subsequently they run off together, abandoning Sybil and Victor.

Act two sees the couple “living in sin” in Sydney.  Unsurprisingly the reasons as to why they eventually divorced in the first place begin to rear its ugly head again.  Their use of the code word “sollocks” to impose a time out seems to put them at bay for a while but they soon realize that the undeniable chemistry they share which brings them together is also the thing that makes them completely unsuitable for each other.

As the story unfolds, their love-hate relationship unravels; their quarrels increasingly intensify and eventually it all culminates to an explosive crescendo.  This could be seen as repetitive but the ever-present comedy which is sharp, witty and dripping with linguistic irony keeps things fresh and entertaining.

It’s hard to believe Private Lives was penned over eighty years ago as, tweaks aside, it still manages to feel modern and as relevant as though it were written yesterday.  It has been revived many times over the years but with this production in particular, what really brings this play to life are the actors.

Matt Whelan was the star of the show for me.  He plays the superficial and caddish Elyot to perfection, providing a great comedic physicality to the character and delivering a plethora of excellently written and brilliantly timed one-liners with great ease.  Mia Blake’s stage presence is electric and perfectly complements Whelan’s performance as the sexy and sophisticated Amanda.

Fresh off The Pride*, Silo’s previous production, Sam Snedden is a natural fit for Victor, the sensible moral compass of the group and antithesis to Elyot.  He once again showcases his remarkable ability to fully embody any character that he is given.  Finally there’s Sophie Henderson who portrays the young and naïve Sibyl wonderfully, giving Whelan a run for his money delivering some great comedic moments too.

Shane Bosher, who previously directed TRIBES**, triumphs again as director in this production.  He is clearly an actor’s director for he has succeeded in bringing out the best performances in these actors making it an absolute delight to watch.

Private Lives is an exceptionally written story that transcends time and is romantic comedy at its best.  It will have you hooked from start to finish and leave you wanting more.

The Whimsical Banana rates Private Lives: 4/5 bananas!

Sexy, risqué, ridiculously fun and absolutely hysterical – Silo Theatre have done it again!

Private Lives is playing at the fabulous Rangatira at Q until 29 September.  To book tickets, click here.

*Read my review of The Pride here.

**Read my review of TRIBES here.

TRIBES: Stop Arguing. Start Talking.

Anyone who thought they had a dysfunctional family will eat their words once they see TRIBES.

Written brilliantly by Nina Raine and performed by a mere cast of six under the excellent direction of Shane Bosher, TRIBES is a compelling and poignant play that will change your perspective on what it really means to communicate.

Billy’s family are eccentric, egotistical and bring dysfunction to a whole new level.  As soon as the lights come on what starts off as a seemingly normal family dinner quickly turns into a heated family feud – brother is arguing with father, sister is harassing brother, mother is yelling at father…it’s probably not even in that order, the point is everyone is bickering with someone.

We soon find out that this is perfectly normal behavior in this household.  There is one member of the family though that is a quiet spectator to this chaos – Billy.  Born deaf, he has learned to adapt exceptionally well to his family’s many idiosyncrasies and quarrelsome ways.  Billy skillfully lip reads and was taught how to speak because Billy’s parents did not want him to be defined by his inability to hear and wanted to give him as normal an upbringing as possible.

The family are clearly very set in their ways but their bubble of complacency is popped when Sylvia comes into the picture.  She encourages Billy to embrace the deaf community and this opens up a whole new world to him, one he had not known existed.  One his family had inadvertently sheltered him from.  He learns sign language to better communicate with Sylvia and eventually instills a vow of silence towards his family until they learn to sign too.

Like a fly on the wall, we watch on as this family unravels and come to grips with Billy’s new attitude towards being deaf.  The journey is far from a smooth one as Billy struggles to be heard and understood in a household where people rarely listen.

TRIBES is simply superb and an absolute triumph.  There will be plenty of funny moments that will have you laughing but there will also be the times of heartbreak where you may shed a tear or two (I know I did!).  It is highly engaging, incredibly entertaining and delivers a powerful and inspiring message about family, love and life.  The narrative is paced well and flows seamlessly from scene to scene; I also loved the way the set was utilized and the way music and select subtitles were used to drive the story.

I was completely blown away by the cast who were all just outstanding!  Leon Wadham impressed me the most; his heartfelt and very believable portrayal of Billy was remarkable and so moving.  Emmett Skilton (Daniel) and Jodie Hillock (Sylvia) were other standouts for me; they captured the heart of their characters perfectly and delivered such excellent and emotive performances.

While they were all fantastic individually, it is the scenes where everyone was on stage together where I felt the magic really happened.  The cast have an undeniable chemistry with each other which is evident in the way they effortlessly play off one another, particularly during the many arguments that take place.

There is still time to see this fantastic Silo Theatre production and I strongly recommend that you do because it is an unmissable experience!

The Whimsical Banana rates TRIBES: 5/5 bananas!

Engaging, thought-provoking and just bloody brilliant!

TRIBES is playing at the Maidment Theatre until the 30th of June.  For more information and to purchase tickets, go HERE.