It’s all about The Pride

On leaving the Herald Theatre last night, I couldn’t help but feel a sense of great pride (no pun intended!) at the fantastic theatre scene we have here in Auckland.  Makes me very proud to be a part of this big little city!

Silo Theatre’s The Pride hits the nail on the head on all accounts – outstanding cast, exceptionally written, simple but innovative set design and perhaps most importantly, a play that succeeds in being both entertaining and thought-provoking.  The play is performed by a mere cast of four under the superb direction of Sophie Roberts and depicts two different worlds that are fifty years apart.  In 1958 we witness the shame and anguish from a forbidden love between two men whereas in 2008 the two men are openly together but their love is riddled with betrayal and lust.

The characters may have the same name but they are not the same person.  They are, however, intrinsically linked; their actions indirectly affecting the other, and the “bigger picture” through time.  Through the clever moving of the glass panel backdrop and simple relocating of the set, the narrative transitions between the different times seamlessly and the actors swap between their two characters effortlessly too.

I was thoroughly impressed by Simon London’s portrayal of both the darker and troubled 1950’s Phillip and the more carefree and evolved Phillip fifty years later.  The subtleties in his performance – the nervous twitches, the inflections in his voice, differing postures and body language – are remarkable and really showcase his skills as an actor.

I felt there was not too much of a leap between the two Olivers but still a solid performance from Kip Chapman.  His excellent facial expressions and animated delivery of his lines (particularly as the 2008 Oliver) were what stood out for me.  I had last seen Kip in Black Confetti (my review for that can be found here) where he played quite a dark character so it was quite refreshing to see him tackle something completely different.

Sylvia takes up the third spot in the complicated love triangle that unfolds in this story and she is played brilliantly by Dena Kennedy. Through her expressive and highly emotive performance you can’t help but just root for her in both worlds.  The chemistry that the three share when together on stage is just amazing, especially the awkward social exchanges in the beginning.

Sam Snedden is the fourth and final cast member and although he is what you would call a “supporting act” his skillful performance of three very different characters demands your attention and is absolutely top notch.  And while he may not be a part of the central trio, the characters he plays are integral to the story because they represent the views of society on homosexuality and how they’ve changed.

The play tackles a whole lot; love, desperation, oppression, freedom and loneliness so I left The Pride feeling pretty emotionally spent – but in a good way!  It is an extraordinary play with bite and a lot of depth because it is also a thinly veiled social commentary about the changing attitudes towards homosexuality over the span of fifty years.  Every character embarks on an emotional journey and we are right there not only to see it all happen but we are swept away with them too.

Thank you, Alexi Kaye Campbell for writing this superb and important theatre piece and thank you, Silo Theatre for bringing us this simply incredible production!

The Whimsical Banana rates The Pride: 5/5 Bananas!

At times intense and confronting, but also incredibly engaging and uplifting with an extremely talented cast.

The Pride plays at the Herald Theatre until September 1st .  For more information and tickets, click HERE.

Review: Krishnan’s Dairy

I left Guru of Chai completely blown away and utterly amazed at how one man effortlessly brought seventeen different characters to life while another creatively used sound to evoke our imagination and transport us to a different place.  This week I was thrilled to be back in the Rangatira at Q to experience another dose of Indian Ink theatrical magic.

Krishnan’s Dairy may be fifteen years old but it sure doesn’t feel like it.  The narrative is still as refreshing and contemporary as if it was written yesterday.  Weaving together copious amounts of comedy, two love stories and a touch of folklore, Krishnan’s Dairy is a heartwarming and endearing slice-of-life tale that is both entertaining and moving.

Gobi and Zina Krishnan are immigrants from India who have moved to New Zealand with their newborn child in the hopes for a better life and future.  They own a little corner store dairy and like a fly on the wall, we watch this couple as they go about their everyday business.

I thought Gobi and Zina were quite the comical pair; you can’t help but laugh at the charming shopkeeper and be amused at his wife’s antics.  I especially enjoyed Gobi’s interactions with the customers and Zina’s hilarious reenactment of a story involving Ganesh, the elephant deity.

Jacob Rajan’s masterful storytelling and superb showmanship along with David Ward’s exceptional guitar playing and accompanying sound effects draw you in to this immigrant family’s world immediately.  Once again Jacob plays many faces and this time he does so quite literally, seamlessly switching between characters through the swift changing of masks.  He does this so skilfully that the transition is smooth and not at all distracting.

What I found most impressive was how he convincingly pulled off conversations between Gobi and Zina.  The rapid back and forth mask-swapping, different voices and changes in body language were all executed so perfectly that it’s truly mind-boggling that there is actually only one actor on stage.

Unlike Guru of Chai, the set is minimal and sound genius David works his magic mostly hidden from sight.  A standout for me was the clever incorporation of mime into the story.  Jacob mimes perfectly in sync with David’s impeccably timed sound effects – it’s really quite impressive to see.

I also really liked the way in which the backstage was used as part of the set too – I thought it was a nice little nod to those old school stores that are run by families who usually lived either behind or above the store.  Using both light and shadow or even just simply moving from one end of the stage to the other, it created another theatrical element to the story.

Krishnan’s Dairy is a beautiful and brilliant masterpiece by the Indian Ink Theatre Company and considering it’s longevity, is already proving to be a timeless classic.  If you haven’t already seen it, put simply: you need to.

The Whimsical Banana rates Krishnan’s Dairy: 4/5 bananas!

Tickets are going like hot cakes so make sure you get in quick!  The season at Q concludes on August 4th.  For more information and to book tickets, click HERE.

Review: Guru of Chai

My week was made that bit more extraordinary when I was treated to a trip to India.  The amazing thing about this statement is I never actually physically went but such is the magic that I experienced at the opening night of Guru of Chai.

After getting over the fact that the Rangatira at Q had magically transformed itself AGAIN, I got settled into my seat and was fully expecting to immerse myself in a very good play.  What I experienced was so much more than that. From the minute Jacob Rajan and his right hand man, David Ward took the stage I was completely enthralled and entertained.

Guru of Chai is an engaging and compelling tale about a humble chaiwallah and how seven abandoned sisters appearing at his chai stand proceeded to change his life forever. Delivered in the first person, the charming and jovial tea seller welcomes us into his world, inviting us to embark on the journey with him.

The play involves a rich tapestry of creative storytelling, colorful sound, a little bit of magic, clever shadow play and even a spot of puppetry.  Whether intentional or not, it certainly challenges the boundaries and any preconceived notions you may have had on what defines a stage production.

The most impressive thing about this play is Jacob’s outstanding performance.  What I didn’t know going in was that this play was essentially a cast of one.  Apart from playing the titular character, Jacob also effortlessly embodies every single other character that appears in the story.

The way in which he skillfully transitions between the different personas just blew my mind.  Every character is fully realized with their own individual personality, distinct voice, set of mannerisms, and even differing postures.  This “skillful schizophrenia” is truly a work of art – Jacob is undeniably an extremely talented and gifted character actor with great stage presence.

Between Jacob’s charismatic showmanship, array of props at his disposal and the colorful set, the play is definitely visually mesmerizing.  However I must stress that the production is just as impressive to hear as it is to see.

Employing an eclectic blend of banjo-playing (tuned to sound like a sitar), haunting songs and innovative sound effects (from an electronic drum machine to a simple plastic bag), David is the ultimate human prop.  His musical accompaniment complements the narrative perfectly – be it helping to affect tone or to increase tension – elevating and giving the production another texture to the story.

Superb theatrics and spectacle aside, the hero of this play is the story itself.  The script is incredibly dynamic and the multi-layered narrative is superbly written, weaving together a good dose of  humor, elements of culture and just the right amount of drama and action.  To me, a good story is one that entertains, speaks to the heart and resonates and this could not ring truer with Guru of Chai.  The story is unpretentious and honest and just keeps you wanting more.

I cannot recommend Guru of Chai enough.  It is a theatrical masterpiece that is heartwarming, captivating and surprisingly insightful. It is a story about a single man, but it is also a story about life, love and loss.  This is truly a unique experience that everyone should not miss out on!

Thank you, Indian Ink, for this absolutely phenomenal piece of theatre that I will not soon forget – I can’t wait to see Krishnan’s Dairy next!

The Whimsical Banana rates Guru of Chai: 5/5 bananas!

Guru of Chai is playing at my favorite performing arts space, the stunning Q Theatre, until July 21st.  For more information and to book tickets, click HERE.

This review is also featured on the Q Theatre website.

TRIBES: Stop Arguing. Start Talking.

Anyone who thought they had a dysfunctional family will eat their words once they see TRIBES.

Written brilliantly by Nina Raine and performed by a mere cast of six under the excellent direction of Shane Bosher, TRIBES is a compelling and poignant play that will change your perspective on what it really means to communicate.

Billy’s family are eccentric, egotistical and bring dysfunction to a whole new level.  As soon as the lights come on what starts off as a seemingly normal family dinner quickly turns into a heated family feud – brother is arguing with father, sister is harassing brother, mother is yelling at father…it’s probably not even in that order, the point is everyone is bickering with someone.

We soon find out that this is perfectly normal behavior in this household.  There is one member of the family though that is a quiet spectator to this chaos – Billy.  Born deaf, he has learned to adapt exceptionally well to his family’s many idiosyncrasies and quarrelsome ways.  Billy skillfully lip reads and was taught how to speak because Billy’s parents did not want him to be defined by his inability to hear and wanted to give him as normal an upbringing as possible.

The family are clearly very set in their ways but their bubble of complacency is popped when Sylvia comes into the picture.  She encourages Billy to embrace the deaf community and this opens up a whole new world to him, one he had not known existed.  One his family had inadvertently sheltered him from.  He learns sign language to better communicate with Sylvia and eventually instills a vow of silence towards his family until they learn to sign too.

Like a fly on the wall, we watch on as this family unravels and come to grips with Billy’s new attitude towards being deaf.  The journey is far from a smooth one as Billy struggles to be heard and understood in a household where people rarely listen.

TRIBES is simply superb and an absolute triumph.  There will be plenty of funny moments that will have you laughing but there will also be the times of heartbreak where you may shed a tear or two (I know I did!).  It is highly engaging, incredibly entertaining and delivers a powerful and inspiring message about family, love and life.  The narrative is paced well and flows seamlessly from scene to scene; I also loved the way the set was utilized and the way music and select subtitles were used to drive the story.

I was completely blown away by the cast who were all just outstanding!  Leon Wadham impressed me the most; his heartfelt and very believable portrayal of Billy was remarkable and so moving.  Emmett Skilton (Daniel) and Jodie Hillock (Sylvia) were other standouts for me; they captured the heart of their characters perfectly and delivered such excellent and emotive performances.

While they were all fantastic individually, it is the scenes where everyone was on stage together where I felt the magic really happened.  The cast have an undeniable chemistry with each other which is evident in the way they effortlessly play off one another, particularly during the many arguments that take place.

There is still time to see this fantastic Silo Theatre production and I strongly recommend that you do because it is an unmissable experience!

The Whimsical Banana rates TRIBES: 5/5 bananas!

Engaging, thought-provoking and just bloody brilliant!

TRIBES is playing at the Maidment Theatre until the 30th of June.  For more information and to purchase tickets, go HERE.