Short+Sweet Festival 2013: Song Showcase

Short+Sweet  SongThe second category of quickfire theatre kicked off last night and it’s one I have personally been looking forward to being a bit of a musical geek!  The bill is not as plentiful as what was presented to us during Short+Sweet Dance but it was still an enjoyable lineup all the same.  Here’s what I thought:

Annie & Joshua 5/5
A punchy rom-com set in a hotel lobby where a humble bellboy and the hotel’s receptionist allow their imaginations to sweep them away on a whirlwind romance of over-the-top proportions.  This “music-omedy” is the most faithful to the musical genre out of all the acts with archetypal expressive musical numbers, exaggerated gestures and melodic dialogue, all delivered brilliantly by the two performers who are adept vocalists.  A superbly written, wonderfully amusing and incredibly enjoyable piece – a great start to the evening!

What Love Can Be 3/5
This sombre and emotive piece goes behind closed doors and looks at what really goes on between an outwardly happy couple in a long-term relationship. Emma wrestles between wanting to please her disapproving, passive aggressive boyfriend and yearning to break free of his controlling grip – she expresses this struggle effectively through two vulnerable vocal performances.  Where I think this piece could improve on is the dialogue to song ratio; I felt the dialogue needn’t be as lengthy as the emotional impact rests in the heartfelt lyrics of the songs.

quiet desperation 4/5
Described as the “hysteria of endurance”, this group performance stretches and challenges the genre in this quirky and unique “musical” without words…or song for that matter.  Using various fitness apparatus like a treadmill, punching bag and even your basic skipping rope, this quintet combine sound effects with a host of creative vocals to create an orchestra of sound and rhythm that does somehow come together as one seamless melody.  A cleverly choreographed piece with great pacing and a dynamic “score”.

The Adventures of Kazu & Kengo (a.k.a. This is how Ninjas say hi…!) 5/5
This action-packed comedic piece follows two ninja wannabes and their quest to graduate from ninja school (at last!).  The ninja superstar master puts the instantly likeable duo through their paces in a number of scenarios where they must figure out what they need to do to save the day.  This is all delivered through a delightful mesh of song, dance, props and a dash of good ol’ slapstick.  Riotous and highly energetic, this short story is bucket loads of fun and wildly entertaining and was a clear crowd favorite.

Hole in The Road 4/5
The final piece in the bill is a musical lament of the various holes in the road (both literally and metaphorically) that we face in life and consequently dealing with these shaky encounters.  A thoughtful and charming medley of well written songs performed excellently by the performers, one of which was the festival director himself!  There were some subtle jazzy undertones which I felt worked well with the narrative and I thought the vocals were spot on; lovely harmonies and delivered with just the right amount of personality but also restraint.

Overall, Short+Sweet Song really is short and sweet but packed full of snappy and entertaining stories told through song and music.  It’s a shame there is only one heat and I can only assume it is because there were limited submissions in this category.  Here’s hoping there will be more next year; to echo this category’s tagline: everything really is better with a soundtrack!

Short+Sweet Song will be at the Herald Theatre until June 15th.  Click here for tickets.

SEASON
WEEK 1: Tuesday, June 11 – Saturday, June 15 2013 (Tues-Thur 7pm, Fri-Sat 8pm)
GALA FINAL: Sunday June 30 (3pm & 7:30pm)

For the full festival programme, click here.

TITUS: Shakespeare On Acid

Titus CupcakeRevenge is a dish best served cold.  Unless it is sixteenth century Rome, to which it would be best served freshly baked.

New theatre company Fractious Tash presents a new take on Shakespeare’s most violent work and it is both a gripping and terrifying experience.  Dark and gritty with a generous serving of bloodshed, mutilation and even cannibalism, this intense adaptation is definitely not for the faint of heart.

Titus tells the story of Roman army general Titus Andronicus and how he finds himself in a twisted, vicious cycle of revenge and murder with Tamora, the Queen of the Goths.  Under the masterful direction of Benjamin Henson, this five hundred year old macabre tragedy gets a contemporary makeover with brilliant use of pop culture, tongue-in-cheek creative choices and a hauntingly superb atmospheric set.

In contrast the dialogue is still delivered in the authentic Shakespearean style which does take a while to get used to initially but the story is easy enough to sink your teeth in to which is a credit to the well crafted script and also the exceptional performances by the all-male cast.  All recent graduates from Unitec, these actors are skilled performers, each embodying their characters effortlessly with raw authenticity and great conviction.

Titus

Paul Lewis is well cast as the titular character, brilliantly conveying Titus’ unraveling insanity whilst the villainous Tamora is performed with staggering credibility by Cole Jenkins.  I also found Eli Mathewson’s portrayal of the ill-fated Lavinia particularly stirring.  The actors as a collective are a well-oiled machine, perfectly complementing one another and feeding off each others’ energy.

Stylistically, this play is a visual treat – kudos to the creative team for an outstanding effort.  The lighting and chilling sound design work well in further enhancing the spooky-looking set and these elements all come together as one to create a genuinely scary and unsettling atmosphere.

Titus is a slick and impressive production with a stellar cast and is really Shakespeare as you have never seen before.  It is brutal and shocking, visually arresting and emotionally charged – a truly immersive and visceral theatrical experience.

The Whimsical Banana rates Titus: 5/5 bananas! 

Titus is at the Loft at Q until June 8th – click here for tickets.

NZICF 2013: David Ladderman – Battle of the Bastards

Battle of the BastardsWhoever thinks Shakespeare is not for everyone needs to get a ticket to Battle of the Bastards. A play that is a play on King Lear, this is a unique and refreshing theatrical piece, particularly in a sea of stand up comedy shows.

Written and performed by David Ladderman, this hour-long play takes one of Shakespeare’s classics and gives it a more contemporary and comical feel.  At its core, Battle of the Bastards, as David explains to us, is essentially about three things: three acts of bastardy, three essential characters and three letters.

With just a bare stage and minimal humble props at his disposal, David skilfully brings to life the world within King Lear.  The Fourth Wall is torn down as he seamlessly goes in and out of character throughout the show; keeping us abreast with the key plot points and regularly checking in with quick recaps to make sure everyone is still on the journey with him.

There are also opportunities where the tables turn and audience members are invited to participate and get involved in the action – including an elaborate fight scene where you even get to cast your co-star.  David’s humor, charisma and affable nature make this interactive element of the show incredibly engaging and particularly fun to watch.

Battle of the Bastards is an enjoyable, fast-paced and highly energetic tragi-comedy and is Shakespeare at its most accessible.  David Ladderman is an excellent writer, a talented performer and just a fantastic entertainer – a triple threat.   Recommended for both Shakespeare fans and the literary novice.

The Whimsical Banana rates Battle of the Bastards: 4/5 bananas!

Battle of the Bastards has finished its run at The Basement in Auckland but begins its Wellington season from May 15th at the BATS Theatre. Four shows only so don’t delay – click here for tickets.

Apocalypse Z: An Immersive Theatrical Experience

Apocalypse Z

Can you imagine quiet and peaceful Auckland being overrun by zombies?   How long do you think you will last in a zombie apocalypse?  Zombies have become quite the phenomenon across a range of entertainment mediums but have yet to make an appearance in live performance…until now.

Apocalypse Z is theatre like you have never experienced before; it is a unique blend of interactive and immersive theatre.  You are invited to suspend your disbelief as the show challenges the conventions of theatre, breaking the Fourth Wall by plunging the audience at the cold face of a zombie outbreak right in the heart of the city.  We are told that the only chance of survival is a safe zone that has been erected at the corner of Aotea Square.

As you make your way in to the outpost, from the armed guard keeping watch up high to the ARC (Armed Rescue Coalition) personnel performing tests on you to ensure you are not infected, you quickly forget reality and easily get sucked in to this world where Auckland is under threat.  The rain certainly helped make things feel all the more ominous!

Once inside the safe house, true to the horror genre, that sense of security is predictably short-lived as a new threat arises in our midst.  As things begin to unravel, the tension and sense of impending danger consequently increasingly escalates. I thought the video wall which revealed CCTV footage of within the outpost and the surrounding grounds was a clever touch.  That combined with some brilliantly timed and executed theatrical effects was very effective in keeping the audience on edge.

Between the polished script by Simon London and David Van Horn, excellent direction and set design by Andrew Foster and superb, authentic performances by the cast, this is one slick theatrical production.  I did feel the boundaries could have been pushed a little bit more though and there could have been potential to make it a lot more terrifying – but that’s just the seasoned horror fan inside me speaking!  Having said that, overall the show is genuinely quite scary and the action and drama that unfolds will get your heart racing.

I do not want to give too much away as the “magic” of the experience is in the fear of the unknown and not knowing what to expect.  It is definitely not for the faint of heart but if you are looking to experience a fresh, thrilling new take on theatre with a bit of bite – pun intended! – and you want to see how you would react in a zombie apocalypse, this is not to be missed!

The Whimsical Banana rates Apocalypse Z: 4/5 flesh-eating bananas!

Well done to Beth Allen, Charlie McDermott, the cast and the rest of the “ZomCrew” – bring on the sequel!

Apocalypze Z is on until 27th April and is brought to you by Royale Productions in association with STAMP at The EDGE.

Ensure your survival and get your ticket to safety now!  Tickets are available here.  I would also recommend checking out whatwillyoudotosurvive.com

Promise and Promiscuity: A New Musical by Jane Austen

Promise And PromiscuityPromise and Promiscuity – the title itself immediately peaked my interest.  Directed by Ben Crowder, this fast paced Jane Austen parody provides a refreshing, revamped take on the well-known period drama Pride and Prejudice.

Touted as a new musical, I must preface that this production is so much more than just an hour of song and dance.  The well-crafted script is decidedly cheeky and dripping with irony – the witty double entendres and cleverly tweaked names (my favorite: “Fifty Shades of Argh”) bring this 19th century story to modern day, making it more easily accessible.

I was thoroughly impressed by Penny Ashton who was the woman of the hour.  She skillfully plays the entire cast, switching between each character seamlessly.  There are very minimal costume changes however this is not an issue as each character she portrays has a very distinct voice and set of mannerisms that there is never any ambiguity who she is depicting and when.

The stage feels quite cavernous with sparse props but Ashton makes full use of the performance space, moving between different locations in the story with ease and at one point she even breaks the Fourth Wall by inviting an unsuspecting audience member for an impromptu dance.  The music and sound effects provided by “Musical Maestro Par Excellence” Robbie Ellis further bring the story to life.

As with all other shows featured in the Auckland Fringe, Promise and Promiscuity is only on a very short season.  The final performance is this evening at 6pm so if you are looking for some laughs to finish your weekend, head on over to TAPAC in Western Springs!

For tickets and more information, click here.

The Whimsical Banana rates Promise and Promiscuity: 4/5 bananas!

Promise and Promiscuity is a Hot Pink production and is presented as part of the Auckland Fringe.

Auckland Fringe

One By One: A Love Story Without Words

One By OneThey say actions speak louder than words.  This is exercised to the fullest effect in One By One, a quirky and charming silent show directed by Pedro Ilgenfritz that takes place in a world where words do not yet exist.  Bonnie and Marty’s paths cross in a fortuitous encounter at a park and from that moment on their lives are changed forever.

Katie Burson and Cole Jenkins draw us in and take us along on this adventure of tragi-comic proportions where in the absence of words, exaggeration is key.  Expect lots of comical wide-eyed facial expressions, melodramatic jaunty marches up and down the stage and madcap shenanigans of the slapstick kind.  Burson and Jenkins do all of this effortlessly and with a childlike innocence that perfectly complements and serves the narrative brilliantly.

The other integral element of the show which I thought was executed extremely well was the use of live music to set the pace and tone of each scene.  Jews Brothers band musicians John Ellis and Nigel Gavin are a well-oiled machine – they fittingly employ an eclectic mix of score and sounds throughout this silent love story which I felt really added a great rhythmic pulse to the performance.  Sometimes they don’t get it quite right though and consequently they are directed by the two characters themselves which I thought was a nice touch.

Bonnie and Marty’s breaking of the Fourth Wall doesn’t stop there.  Just as they have invited us in to this playful and musical world of gestures and mime similarly they just as readily jump into ours.  Personal space may be invaded and if you’re lucky enough, you may even get to participate too.

The stage appears stark and bare with only three pieces of furniture and a set of vertical “ribbons” that cross each other to form a skeletal wall.  This inconspicuous minimalist set created by Rachel Walker and though modest is the perfect “blank canvas” for the action that unfolds.

Unfortunately One By One is only running for a very short season – there are only two more opportunities to catch this fun and whimsical homage to silent film and I strongly recommend that you do!  You will be thoroughly entertained and more importantly you will be convinced that a world could exist without spoken word.

For tickets and more information, click here.

The Whimsical Banana rates One By One: 4/5 bananas!

One By One is a production funded by LAB Theatre and is presented as part of the Auckland Fringe.

Auckland Fringe

This review is also featured on Keeping Up With NZ.

Review: An Awkward Family Christmas

We all have annoying and embarrassing relatives that do things at family gatherings which make us cringe.  After watching the crazy and rambunctious mayhem that unfolds in An Awkward Family Christmas, I will never again complain about having to endure my family reunions!

Meet the extended Potts-Chambers family: a brain damaged supermodel, over-competitive, inappropriately close Aryan twins, a lesbian life partner who makes obscene pottery and a perpetually unloved stoner son who the family keeps calling Britney.  And these are just some of the colorful characters!  Add in a festive meal of vegemite and broccoli with a bottle cap thrown in for good measure and you have yourself one very ridiculous and extremely awkward family shindig.

Drawing inspiration from the thousands of awkward family Christmas photographs available online, An Awkward Family Christmas is an utterly insane and over-the-top slapstick comedy which presents every single awkward social and familial situation you can think of, and then some.  The Outfit Theatre Company have yet again lived up to their reputation of being “New Zealand’s rowdiest theatre company” with another production that is cheeky, boisterous and doesn’t take itself too seriously.

This really is a character-centric story and the madcap dysfunctional family which we get acquainted to is portrayed superbly by a talented ensemble of performers.  Jacqui Nauman is incredibly endearing as the childlike and dazed Polly while Andrew Ford’s exaggerated and comical performance of Percy’s faux disability garnered plenty of laughs.

I thought Chris Tempest brought great comedic value to the role of Winston, the lonely neighbor who desperately wants to get past the door so as not to spend Christmas alone.  My favorites of the night though were Joel Herbert and Kate Vox who are perfectly cast as Keith and Keitha; the antics the two get up to individually and as a duo were so entertaining to watch.

With so much chaos and activity going on, it really was up to the actors to sell the story and they did so with great energy and charisma which is a credit to not only their acting prowess but also Ben Henson’s skilled direction.  The sense of camaraderie amongst the cast is evident on stage and I thought their comedic intuition was impeccable.  An unexpected heckler in the crowd ever so slightly threw them off at first but they quickly recovered and handled the ongoing extra “sound effects” like true professionals.

As the story progresses, things begin to unravel and become increasingly more ludicrous and outrageous.  The many interweaving storylines start to become a little far-fetched but yet still somewhat believable within the context of this group of nutty personalities.  Cutting out a storyline or two would have helped the narrative flow a little better as towards the end it did start to feel like there was a little too much going on.  Overall though the script, written by award-winning playwright Thomas Sainsbury, is well crafted; it doesn’t miss a beat and is highly entertaining.

The silly season is pretty much upon us and while this may not necessarily get you in to the festive spirit, it will certainly convince you that your family is quite normal!  Be prepared for a night of many cringe-worthy moments and laughs aplenty – leave your serious side at the door and go with your sense of humor in check.

The Whimsical Banana rates An Awkward Family Christmas: 4/5 bananas!

Ridiculously silly, loads of fun, and just utterly absurd!

An Awkward Family Christmas is playing at the Herald Theatre until 1st December.  For tickets, click here.

Tell Me On A Sunday: A One Woman Musical

Tell Me On A Sunday will not be a hard sell for those already acquainted with Andrew Lloyd Webber’s work but I do feel this musical production is particularly accessible and one that can be easily enjoyed by all.  Directed by David Coddington, this one woman musical is performed by a cast of one and made up of a one-act song cycle which showcases music by Andrew Lloyd Webber and lyrics by Don Black.

We follow an ordinary English girl from Muswell Hill who journeys to the United States in search of love.  Her romantic aspirations starts off in the Big Apple, then to Hollywood and eventually back to Manhattan.  The story of her quest for love which turn out to be more of romantic misadventures is told entirely through song as a monologue but also in the form of letters to Mum.

Carly Binding, contemporary pop singer and songwriter, makes her musical debut and is perfectly cast as the “woman of the hour”.  She commands the attention of the audience effortlessly with not only her beautiful tone and stunning range but charismatic personality as well.

Her performance was simply mesmerizing; she is both an accomplished vocalist and gifted storyteller.  She moves from one song to the next with great ease and I thought she interpreted the songs remarkably; with honesty and heartfelt conviction.  My favorite performance of the night was Unexpected Song – the emotion she delivers in this song is incredible and sent chills up my spine.

The accompanying costume changes to signify the passing of time were executed well and added a dynamic layer to the performance.  Carly made full use of the set which is minimal but beautiful with everything on stage having a purpose.  Mention must also be made on the excellent lighting design which set the mood and ambiance perfectly.

Musical director Robin Kelly once again doesn’t disappoint, working his magic with an extremely talented band who bring the score to life and support Carly’s vocal performance beautifully.  The three backing singers also added great depth to the overall sound; their harmonies had just enough restraint and blended well with Carly’s vocals.

Overall this is an outstanding, top notch production which ticked all the boxes for me and left me wanting more.  If you enjoy musical theatre, this one’s for you.

The Whimsical Banana rates Tell Me On A Sunday: 5/5 bananas

Tell Me On A Sunday is presented by The Real Theatre Company and is playing at the Loft at Q until 24 November.  To buy tickets and to get a taste of the music, click here.

This review is also featured on the Q website.

BREL: The Words & Music of Jacques Brel

I always look forward to attending a Silo Theatre production because I know I can expect a slick performance and an excellent night of theatre.  I was particularly excited for BREL as I have only thus far seen plays by Silo and so was really keen to see how they would pull off this extraordinary collaboration of concert and cabaret.

You may not know who Jacques Brel is – as did I – but you will find you have come across his music.  In my opinion, this is the true mark of a great artist.  He wrote over 300 songs in his lifetime and his legacy still lives on to today – many of these have been translated and performed by big names in the business such as David Bowie, Ray Charles, Frank Sinatra, Leonard Cohen and Nina Simone, to name a few.  He is the third best-selling Belgian recording artist of all time and is known as one of the pioneering chansons in musical history.

Jacques Brel is a singer-songwriter in its truest form.  His songs provide a window into his soul and his perspective on life, love and the human condition.  His writing style is often described as dark, cynical, witty, passionate and revolutionary which spring from his reaction and experiences growing up at the time of the German invasion of Belgium during the Second World War.

Thank you to Jackson Perry for the photo!

BREL, put simply, is absolutely breathtakingly phenomenal.  Described as “cabaret noir”, it is a staggering homage and wonderful celebration of Jacques Brel’s works – twenty-one carefully selected songs performed by some exceptional vocal talent.  Tama Waipara, Jon Toogood and Julia Deans are all household names in the New Zealand music scene and need no introduction.  Rounding up the quartet is seasoned theatre veteran Jennifer Ward-Lealand, touted the “First Lady of Cabaret” who is also one of Silo’s trust board members.

The set up of the performance space is incredibly gorgeous with its many vintage lamps peppered all over the stage; this intimate atmosphere is heavily nostalgic of the smoky, dimly lit underground jazz bars commonly found in New York and Berlin.  This set the mood and tone of the show immediately and increased my excitement considerably.

From the moment the quartet took to the stage and the four-piece band kicked in, you are completely transported into the profound and fascinating world of Brel.  His music is considered one of the major influences in contemporary music today and I can see why – his songs are timeless anthems that speak of both the joy and pain that is inevitable in life and love.  The songs are a perfect marriage of stunning melodies and absolute poetic gold – heartfelt, poignant and gut-wrenching.

Every song is performed to perfection with lots of heart and personality, a hint of cheek, and bucket loads of attitude and flair.  Each performance transitions seamlessly and effortlessly to the next and with each song, you are left wanting more.

I thought all four performers emoted and interpreted the songs brilliantly; they had great intuitive musical timing and consistently delivered the story behind each song compellingly and with conviction.  From haunting ballads to energetic anthems, performed both in English and fluently in French, the song list is an eclectic mix to suit any musical taste bud.

Equally as flawless are “Balkan music titans” Dr. Colossus, the extremely talented men behind the music.  Under the skilled direction of Leon Radojkovic, the band come together smoothly as one voice, either to help instill a sense of drama, build up the narrative of a song or simply to complement the vocal performance.  Throw in the well-timed, effective use of lighting too and what you get is sublime and decadent music magic.

BREL is a cabaret and theatrical masterpiece and an absolute triumph.  Michael Hurst’s accomplished direction has succeeded in creating a mesmerizing and unforgettable musical tribute to one of the greatest artists in the twentieth century.  This is not only a vocal spectacle and musical journey you must experience but one that you NEED to.

The Whimsical Banana rates BREL: 5/5 bananas

BREL is at the magnificent Concert Chamber in the Town Hall until 24 November.  For more information and to buy tickets, click here.

Review: Nuclear Family

With the world becoming increasingly more mobile, immigration has become a significant part of life for many individuals and families.  New Zealand has definitely become more of a multicultural hub as a result of this.

Penned by Desiree Gezentsvey, Nuclear Family offers a fresh perspective on the “joys of immigration” through the eyes of a group of Venezuelan and Soviet Jewish immigrants the day before the 1986 Chernobyl disaster.  It explores the emotional journey experienced by immigrants as they acclimatize to life in a new country – adapting to cultural differences, learning the local slang, struggling with identity issues and establishing a new career path.

Zina moved to Aotearoa seven years ago and while she has become quite settled in her new home she still has ties to her home country, Ukraine, where her children still reside.  Abi, a friend, has recently immigrated but already longs to return to Venezuela which doesn’t sit well with Alec, her husband.

At the center of it all is Zina’s shrewd and charming Babushka who doesn’t approve of her granddaughter’s manipulative ways and who’s sole concern is the promise she made to Zina’s late parents.  Collectively they all question the existence of freedom, choice and control in their lives as immigrants.

The most remarkable thing about this production is it is performed solely by one person.  Yael Gezentsvey skillfully and effortlessly portrays a dozen characters throughout the hour – each completely fleshed out with their own distinct accent, voice and mannerisms.  Apart from the core characters, some of the other personalities we get to meet are a friendly Maori neighbor, a playful child, a typical Kiwi bloke and sleazy Mr Potts.

Yael seamlessly switches between them all and although you may initially struggle to work out who’s who, you will quickly notice clear points of difference with each character.  This is truly a credit to and joined product of Yael’s impressive acting prowess and James Hadley’s vision and superb direction.

For me, I felt the underlying message that this story ultimately delivers is that everyone has an innate desire to belong somewhere.  It tackles the feeling of alienation and being torn in between two worlds that is often faced by immigrants, particularly if the family is divided.  This is also represented in the cleverly conceived set of two contrasting picket fences on opposing ends of the stage.

Nuclear Family is funny and gut-wrenching, riveting and moving, earnest and heartfelt.  It will speak to those who are immigrants themselves and will provide an eye-opening window into that life for those who aren’t.  It is a thought-provoking and exceptionally written piece performed flawlessly – a wonderful mother-daughter collaboration not to be missed.

The Whimsical Banana rates Nuclear Family:  5/5 bananas

Nuclear Family is playing at the intimate Loft at Q until 10 November.  It’s only a short season so get in quick!  For more information visit the Nuclear Family website and to buy tickets, click here.

This review is also featured on Keeping Up With NZ.

This review also appears on the Q website.