NZICF 2013: Elis James

Elis James

Elis James is not only a top notch comedian, he is the consummate storyteller.  And the reviews are all true – this lovely Welshman really is one of the most likeable comics around.

There is a lot to love and laugh about in this hour-long show.  Elis’ friendly persona coupled with his wonderfully animated style of storytelling make him an absolute joy to watch.  Over the course of the show, we are treated to a myriad of hilarious anecdotes from getting “song raped” to that one time he had a brief but eventful connection with One Directions’ Harry Styles.

Each tale is structured superbly and delivered flawlessly but what really takes it to the next level is the accompanying comical re-enactments and the odd song and dance which are slipped in at just the opportune moments in the narrative.  This performance element adds a whole new layer of comedy and entertainment to an already outstanding set.

As the show progresses, each story becomes increasingly funnier and more ludicrous that it’s almost too good to be true.  Yet Elis recounts them with such authenticity and conviction that you are completely captivated and buy in to what he is telling you – the mark of an exceptional raconteur.

I cannot recommend this show enough – the material is delightfully witty, highly engaging and funny as hell.  Ellis makes being a stand up comedian absolutely effortless.  Another fantastic and super talented up-and-comer everybody should have their eyes on.

The Whimsical Banana rates Elis James: 5/5 bananas!

Elis James will be performing at The Classic Studio until May 11th (not the 5th).  For tickets, click here.

Due to popular demand, Elis has added an extra show on Saturday May 11th at 5:30pm!

NZICF 2013: Chris Martin – Spot The Difference

Chris Martin - Spot the Difference

If you’ve ever wondered how you win at yoga or if you think pugs are not real dogs, Chris Martin’s original brand of dry and witty observational comedy is sure to hit the spot.  Returning to New Zealand after his debut in 2012, Chris is back on our shores with a brand new show.

Throughout the hour, Chris shares with us a whirlwind of anecdotes which mostly center around his anxieties (like finding mangoes intimidating) and slightly morbid obsessions, like how he would react if he ever got attacked and also how he’d like to die.  He is an accomplished comedian whose material is intelligently written, captivating and dripping with cynicism yet you will leave feeling anything but jaded.

I was most impressed by his confidence and effortless command of both the stage and the crowd.  Even a confused whispering audience member whose phone subsequently rang didn’t faze him – he took it in his stride and handled it brilliantly, as if it was all part of the set.  He has a natural charm and friendly disposition which is evident through his regular interactions and banter with the audience.

His ability to inject humor into just about anything is what makes this such an excellent and enjoyable show.  He tends to dip in and out of stories and go off on tangents – I wondered if we would ever find out what the deal was with that teapot! – but he does so masterfully; all the time holding our attention with ease, keeping us hooked and wanting more.

Spot The Difference is loads of fun, endlessly entertaining and genuinely very funny.  Chris is definitely one to watch as he is undoubtedly one of the rising stars in the comedy circuit.  I already cannot wait for his next show!

The Whimsical Banana rates Spot The Difference: 5/5 bananas!                                                                                                                                            

Chris Martin is performing at The Classic until Saturday May 4th (click here for tickets) before heading to Wellington where he will be performing at The San Francisco Bathhouse from May 7th (click here for tickets).  He is also part of this year’s Comedy Convoy which kicks off May 13th.

NZICF 2013: Comedy All Stars – First Night at the BMC

Comedy All Stars

This year’s ensemble comedy night at the Bruce Mason Centre was a “best of the British” affair and boy was it an absolute cracker!

Stuart Goldsmith, the  “dirty – but in a good way” compère was loads of fun and effortlessly kept the audience not only well and truly entertained but in high spirits (and hysterics!) throughout.  His charm and charisma is truly infectious – very disappointed that he is not doing a solo show!

Kicking things off was Welshman Elis James who regaled us with hilarious stories about a drunken couple at a wedding and the time he was a one-song-wonder Christmas caroler.  His seamless ability to tell a bloody good story – which includes amusing re-enactments – coupled with his likeable persona will leave you wanting more. 

Up next was the affable Andrew Bird who kept the audience hooked with his animated slice-of-life anecdotes.  His tales ranged from family life involving his “pet human” to dealing with vague cooking measurements (I will never read “knob of butter” the same again!) to my personal favorite – his failed attempt at being not at home at home.

Markus Birdman brought along a slight change in energy with his more edgy style of comedy.  His material is a little on the crass side so is not for everyone but if you are not easily offended, he is an entertaining act.  Talking candidly about sex, relationships and neo-Nazi fashion, he leaves no stone unturned.

After the interval, James Acaster takes to the stage.  He really impressed me at the Comedy Gala so was very keen to see more!  Do not be fooled by the understated demeanor and deadpan style – he is sharp as a tack.  His set is self-indulgent but not in an arrogant way and is incredibly witty and delivered impeccably.

Closing the show is Chris Martin, another favorite of mine from the Gala.  He easily captures and holds the audience’s attention as he relays his jaded perspective of every day things.  His material is deliciously cynical but oddly compelling and easy to relate to.  And most importantly, it’s funny as hell!

Most if not all of these superb acts are performing again at the BMC this coming Saturday (May 4th).  If you are looking to get some laughs this weekend, look no further!  To buy tickets and for more details, click here.

You can also catch them at The Big Show which runs weeks 2 and 3 of the festival – click here for details.

The Whimsical Banana rates Comedy All Stars: 5/5 bananas!

Apocalypse Z: An Immersive Theatrical Experience

Apocalypse Z

Can you imagine quiet and peaceful Auckland being overrun by zombies?   How long do you think you will last in a zombie apocalypse?  Zombies have become quite the phenomenon across a range of entertainment mediums but have yet to make an appearance in live performance…until now.

Apocalypse Z is theatre like you have never experienced before; it is a unique blend of interactive and immersive theatre.  You are invited to suspend your disbelief as the show challenges the conventions of theatre, breaking the Fourth Wall by plunging the audience at the cold face of a zombie outbreak right in the heart of the city.  We are told that the only chance of survival is a safe zone that has been erected at the corner of Aotea Square.

As you make your way in to the outpost, from the armed guard keeping watch up high to the ARC (Armed Rescue Coalition) personnel performing tests on you to ensure you are not infected, you quickly forget reality and easily get sucked in to this world where Auckland is under threat.  The rain certainly helped make things feel all the more ominous!

Once inside the safe house, true to the horror genre, that sense of security is predictably short-lived as a new threat arises in our midst.  As things begin to unravel, the tension and sense of impending danger consequently increasingly escalates. I thought the video wall which revealed CCTV footage of within the outpost and the surrounding grounds was a clever touch.  That combined with some brilliantly timed and executed theatrical effects was very effective in keeping the audience on edge.

Between the polished script by Simon London and David Van Horn, excellent direction and set design by Andrew Foster and superb, authentic performances by the cast, this is one slick theatrical production.  I did feel the boundaries could have been pushed a little bit more though and there could have been potential to make it a lot more terrifying – but that’s just the seasoned horror fan inside me speaking!  Having said that, overall the show is genuinely quite scary and the action and drama that unfolds will get your heart racing.

I do not want to give too much away as the “magic” of the experience is in the fear of the unknown and not knowing what to expect.  It is definitely not for the faint of heart but if you are looking to experience a fresh, thrilling new take on theatre with a bit of bite – pun intended! – and you want to see how you would react in a zombie apocalypse, this is not to be missed!

The Whimsical Banana rates Apocalypse Z: 4/5 flesh-eating bananas!

Well done to Beth Allen, Charlie McDermott, the cast and the rest of the “ZomCrew” – bring on the sequel!

Apocalypze Z is on until 27th April and is brought to you by Royale Productions in association with STAMP at The EDGE.

Ensure your survival and get your ticket to safety now!  Tickets are available here.  I would also recommend checking out whatwillyoudotosurvive.com

Promise and Promiscuity: A New Musical by Jane Austen

Promise And PromiscuityPromise and Promiscuity – the title itself immediately peaked my interest.  Directed by Ben Crowder, this fast paced Jane Austen parody provides a refreshing, revamped take on the well-known period drama Pride and Prejudice.

Touted as a new musical, I must preface that this production is so much more than just an hour of song and dance.  The well-crafted script is decidedly cheeky and dripping with irony – the witty double entendres and cleverly tweaked names (my favorite: “Fifty Shades of Argh”) bring this 19th century story to modern day, making it more easily accessible.

I was thoroughly impressed by Penny Ashton who was the woman of the hour.  She skillfully plays the entire cast, switching between each character seamlessly.  There are very minimal costume changes however this is not an issue as each character she portrays has a very distinct voice and set of mannerisms that there is never any ambiguity who she is depicting and when.

The stage feels quite cavernous with sparse props but Ashton makes full use of the performance space, moving between different locations in the story with ease and at one point she even breaks the Fourth Wall by inviting an unsuspecting audience member for an impromptu dance.  The music and sound effects provided by “Musical Maestro Par Excellence” Robbie Ellis further bring the story to life.

As with all other shows featured in the Auckland Fringe, Promise and Promiscuity is only on a very short season.  The final performance is this evening at 6pm so if you are looking for some laughs to finish your weekend, head on over to TAPAC in Western Springs!

For tickets and more information, click here.

The Whimsical Banana rates Promise and Promiscuity: 4/5 bananas!

Promise and Promiscuity is a Hot Pink production and is presented as part of the Auckland Fringe.

Auckland Fringe

One By One: A Love Story Without Words

One By OneThey say actions speak louder than words.  This is exercised to the fullest effect in One By One, a quirky and charming silent show directed by Pedro Ilgenfritz that takes place in a world where words do not yet exist.  Bonnie and Marty’s paths cross in a fortuitous encounter at a park and from that moment on their lives are changed forever.

Katie Burson and Cole Jenkins draw us in and take us along on this adventure of tragi-comic proportions where in the absence of words, exaggeration is key.  Expect lots of comical wide-eyed facial expressions, melodramatic jaunty marches up and down the stage and madcap shenanigans of the slapstick kind.  Burson and Jenkins do all of this effortlessly and with a childlike innocence that perfectly complements and serves the narrative brilliantly.

The other integral element of the show which I thought was executed extremely well was the use of live music to set the pace and tone of each scene.  Jews Brothers band musicians John Ellis and Nigel Gavin are a well-oiled machine – they fittingly employ an eclectic mix of score and sounds throughout this silent love story which I felt really added a great rhythmic pulse to the performance.  Sometimes they don’t get it quite right though and consequently they are directed by the two characters themselves which I thought was a nice touch.

Bonnie and Marty’s breaking of the Fourth Wall doesn’t stop there.  Just as they have invited us in to this playful and musical world of gestures and mime similarly they just as readily jump into ours.  Personal space may be invaded and if you’re lucky enough, you may even get to participate too.

The stage appears stark and bare with only three pieces of furniture and a set of vertical “ribbons” that cross each other to form a skeletal wall.  This inconspicuous minimalist set created by Rachel Walker and though modest is the perfect “blank canvas” for the action that unfolds.

Unfortunately One By One is only running for a very short season – there are only two more opportunities to catch this fun and whimsical homage to silent film and I strongly recommend that you do!  You will be thoroughly entertained and more importantly you will be convinced that a world could exist without spoken word.

For tickets and more information, click here.

The Whimsical Banana rates One By One: 4/5 bananas!

One By One is a production funded by LAB Theatre and is presented as part of the Auckland Fringe.

Auckland Fringe

This review is also featured on Keeping Up With NZ.

Unwrapping Christmas in the BIG little City

Unwrapping Christmas

Calling all Aucklanders!  If you’re looking for some jolly festivities to get you in to the spirit of the silly season, Aotea Square is the place to be.

This year, The EDGE team up with BIG little City to bring us a fun and unique Christmas experience Auckland-style.  With an eclectic line up of street theatre, live music, art, dance and more there is something for everybody.  Here’s the best news: it’s all FREE.

Back again for the fourth year running is the fantastic Random Acts programme which continues its tradition of taking theatre to the people.  I checked out the acts over the weekend and was thoroughly entertained!

Pacific Me CityPacific Me City 2

I thought Pacific Me City was a very clever spin on a dance routine.  Presented by Ura Tabu Pacific Dance, the performance is essentially a mobile interweaving dance mob which takes the living statue mime act to a whole new level.  The performance is almost entirely interactive – it’s “success” is heavily dependent on audience participation.  Four performers strike a pose in front of four posts which read “…stand here for dance instructions”.  It does take a few rather awkward minutes of staring at these frozen performers before the crowd get what is going on but soon there were quite a number of people who were game to get an impromptu dance lesson.  I loved the Pacific twist to it as well as those bright and colorful costumes!

Twas the Night before ChristmasMy personal favorite was the charming and magical ‘Twas the Night Before Christmas by The People Who Play With Theatre.  If you love fairy tales and appreciate performance which incorporate beautiful imagery and puppetry, this one’s for you.  Imagined and constructed by Auckland playwright, puppet-maker and performer Ben Anderson, this famous poem is quite literally brought to life with the set and performance space being a giant book!  With each turn of the page, the world unfolds in a pop-up fashion – this innovative storytelling technique is truly a visual spectacle and engaging experience.

Comic Interludes

I was drawn to the re-styled truck which doubles as a mobile stage at the edge of the Square so I had high expectations for Comic Interludes, a masked street theatre show inspired by Renaissance European acting troupes and circus.  While I enjoyed the energy and comedic antics of the LAB Theatre performers, the actual story left me a little cold.  The story was easy enough to follow, it just didn’t have a “hook”.  Judging by the dwindling audience, I think the over-the-top mayhem became a little off-putting to some.  It’s a mighty shame because they are a talented ensemble and they effortlessly drew the crowd in at the start, they just weren’t able to capture the people’s attention for the entirety of the show.

Unsung Heroes

If you’re not just popping by on a flying visit and plan to spend the afternoon enjoying everything Unwrapping Christmas has to offer (highly recommended!), you will no doubt come across the mischievous trio known as the White Face Crew interacting with passers-by as part of their Unsung Heroes act.  From entertaining short skits to spontaneous gags to coming at you with sunblock inviting you to “slip, slop, slap”, this cheeky characters will have you hooked with their silly antics, clowning and physical theatre.

Tango de Construct

Tango de Construct 2

Geoff Gilson of Beautiful Sake Productions and tango partner Victoria Szerdi will transport you to the vibrant streets of Buenos Aires with their sensuous Tango De Construct pop up dance performance.  Once they hit the dance floor, I couldn’t take my eyes off them – they glide across the “stage” so effortlessly and with such grace and skill.  For those keen to have a go, you’re in luck!  This year there is a new offering called Bandstand Under the Stars which gives you the opportunity to not only watch different styles of dance but to learn firsthand from the performers themselves.

Moving Canvas, a dynamic and colorful display of live body art is the last act in the Random Acts programme but which I have yet to see as unfortunately they weren’t performing on the day I was there.  It does sound very intriguing though so I am planning on popping down this Sunday to check them out.

Unwrapping Christmas - Aotea Square

Overall it was an extremely fun and fabulous day out in the BIG little City and one I would recommend to anyone – young, old, theatre lover or not – there is a whole array of activities on offer to keep everyone entertained.  And if somehow nothing tickles your fancy, pop down anyway for a drink and bite to eat, or a sunbake on the deck chairs – better than staying cooped up at home, at any rate!  We may not have a White Christmas but this wonderful Unwrapping Christmas programme proves that a Southern Hemisphere Christmas can be magical too!

Unwrapping Christmas is running until the 21st December at Aotea Square.  Below is when the Random Acts are on but for the full programme which includes Bandstand Under the Stars, Christmas Markets and an excellent Live at Lunch line up, click here.

Unwrapping Christmas - Random Acts programme

Review: An Awkward Family Christmas

We all have annoying and embarrassing relatives that do things at family gatherings which make us cringe.  After watching the crazy and rambunctious mayhem that unfolds in An Awkward Family Christmas, I will never again complain about having to endure my family reunions!

Meet the extended Potts-Chambers family: a brain damaged supermodel, over-competitive, inappropriately close Aryan twins, a lesbian life partner who makes obscene pottery and a perpetually unloved stoner son who the family keeps calling Britney.  And these are just some of the colorful characters!  Add in a festive meal of vegemite and broccoli with a bottle cap thrown in for good measure and you have yourself one very ridiculous and extremely awkward family shindig.

Drawing inspiration from the thousands of awkward family Christmas photographs available online, An Awkward Family Christmas is an utterly insane and over-the-top slapstick comedy which presents every single awkward social and familial situation you can think of, and then some.  The Outfit Theatre Company have yet again lived up to their reputation of being “New Zealand’s rowdiest theatre company” with another production that is cheeky, boisterous and doesn’t take itself too seriously.

This really is a character-centric story and the madcap dysfunctional family which we get acquainted to is portrayed superbly by a talented ensemble of performers.  Jacqui Nauman is incredibly endearing as the childlike and dazed Polly while Andrew Ford’s exaggerated and comical performance of Percy’s faux disability garnered plenty of laughs.

I thought Chris Tempest brought great comedic value to the role of Winston, the lonely neighbor who desperately wants to get past the door so as not to spend Christmas alone.  My favorites of the night though were Joel Herbert and Kate Vox who are perfectly cast as Keith and Keitha; the antics the two get up to individually and as a duo were so entertaining to watch.

With so much chaos and activity going on, it really was up to the actors to sell the story and they did so with great energy and charisma which is a credit to not only their acting prowess but also Ben Henson’s skilled direction.  The sense of camaraderie amongst the cast is evident on stage and I thought their comedic intuition was impeccable.  An unexpected heckler in the crowd ever so slightly threw them off at first but they quickly recovered and handled the ongoing extra “sound effects” like true professionals.

As the story progresses, things begin to unravel and become increasingly more ludicrous and outrageous.  The many interweaving storylines start to become a little far-fetched but yet still somewhat believable within the context of this group of nutty personalities.  Cutting out a storyline or two would have helped the narrative flow a little better as towards the end it did start to feel like there was a little too much going on.  Overall though the script, written by award-winning playwright Thomas Sainsbury, is well crafted; it doesn’t miss a beat and is highly entertaining.

The silly season is pretty much upon us and while this may not necessarily get you in to the festive spirit, it will certainly convince you that your family is quite normal!  Be prepared for a night of many cringe-worthy moments and laughs aplenty – leave your serious side at the door and go with your sense of humor in check.

The Whimsical Banana rates An Awkward Family Christmas: 4/5 bananas!

Ridiculously silly, loads of fun, and just utterly absurd!

An Awkward Family Christmas is playing at the Herald Theatre until 1st December.  For tickets, click here.

Tell Me On A Sunday: A One Woman Musical

Tell Me On A Sunday will not be a hard sell for those already acquainted with Andrew Lloyd Webber’s work but I do feel this musical production is particularly accessible and one that can be easily enjoyed by all.  Directed by David Coddington, this one woman musical is performed by a cast of one and made up of a one-act song cycle which showcases music by Andrew Lloyd Webber and lyrics by Don Black.

We follow an ordinary English girl from Muswell Hill who journeys to the United States in search of love.  Her romantic aspirations starts off in the Big Apple, then to Hollywood and eventually back to Manhattan.  The story of her quest for love which turn out to be more of romantic misadventures is told entirely through song as a monologue but also in the form of letters to Mum.

Carly Binding, contemporary pop singer and songwriter, makes her musical debut and is perfectly cast as the “woman of the hour”.  She commands the attention of the audience effortlessly with not only her beautiful tone and stunning range but charismatic personality as well.

Her performance was simply mesmerizing; she is both an accomplished vocalist and gifted storyteller.  She moves from one song to the next with great ease and I thought she interpreted the songs remarkably; with honesty and heartfelt conviction.  My favorite performance of the night was Unexpected Song – the emotion she delivers in this song is incredible and sent chills up my spine.

The accompanying costume changes to signify the passing of time were executed well and added a dynamic layer to the performance.  Carly made full use of the set which is minimal but beautiful with everything on stage having a purpose.  Mention must also be made on the excellent lighting design which set the mood and ambiance perfectly.

Musical director Robin Kelly once again doesn’t disappoint, working his magic with an extremely talented band who bring the score to life and support Carly’s vocal performance beautifully.  The three backing singers also added great depth to the overall sound; their harmonies had just enough restraint and blended well with Carly’s vocals.

Overall this is an outstanding, top notch production which ticked all the boxes for me and left me wanting more.  If you enjoy musical theatre, this one’s for you.

The Whimsical Banana rates Tell Me On A Sunday: 5/5 bananas

Tell Me On A Sunday is presented by The Real Theatre Company and is playing at the Loft at Q until 24 November.  To buy tickets and to get a taste of the music, click here.

This review is also featured on the Q website.

BREL: The Words & Music of Jacques Brel

I always look forward to attending a Silo Theatre production because I know I can expect a slick performance and an excellent night of theatre.  I was particularly excited for BREL as I have only thus far seen plays by Silo and so was really keen to see how they would pull off this extraordinary collaboration of concert and cabaret.

You may not know who Jacques Brel is – as did I – but you will find you have come across his music.  In my opinion, this is the true mark of a great artist.  He wrote over 300 songs in his lifetime and his legacy still lives on to today – many of these have been translated and performed by big names in the business such as David Bowie, Ray Charles, Frank Sinatra, Leonard Cohen and Nina Simone, to name a few.  He is the third best-selling Belgian recording artist of all time and is known as one of the pioneering chansons in musical history.

Jacques Brel is a singer-songwriter in its truest form.  His songs provide a window into his soul and his perspective on life, love and the human condition.  His writing style is often described as dark, cynical, witty, passionate and revolutionary which spring from his reaction and experiences growing up at the time of the German invasion of Belgium during the Second World War.

Thank you to Jackson Perry for the photo!

BREL, put simply, is absolutely breathtakingly phenomenal.  Described as “cabaret noir”, it is a staggering homage and wonderful celebration of Jacques Brel’s works – twenty-one carefully selected songs performed by some exceptional vocal talent.  Tama Waipara, Jon Toogood and Julia Deans are all household names in the New Zealand music scene and need no introduction.  Rounding up the quartet is seasoned theatre veteran Jennifer Ward-Lealand, touted the “First Lady of Cabaret” who is also one of Silo’s trust board members.

The set up of the performance space is incredibly gorgeous with its many vintage lamps peppered all over the stage; this intimate atmosphere is heavily nostalgic of the smoky, dimly lit underground jazz bars commonly found in New York and Berlin.  This set the mood and tone of the show immediately and increased my excitement considerably.

From the moment the quartet took to the stage and the four-piece band kicked in, you are completely transported into the profound and fascinating world of Brel.  His music is considered one of the major influences in contemporary music today and I can see why – his songs are timeless anthems that speak of both the joy and pain that is inevitable in life and love.  The songs are a perfect marriage of stunning melodies and absolute poetic gold – heartfelt, poignant and gut-wrenching.

Every song is performed to perfection with lots of heart and personality, a hint of cheek, and bucket loads of attitude and flair.  Each performance transitions seamlessly and effortlessly to the next and with each song, you are left wanting more.

I thought all four performers emoted and interpreted the songs brilliantly; they had great intuitive musical timing and consistently delivered the story behind each song compellingly and with conviction.  From haunting ballads to energetic anthems, performed both in English and fluently in French, the song list is an eclectic mix to suit any musical taste bud.

Equally as flawless are “Balkan music titans” Dr. Colossus, the extremely talented men behind the music.  Under the skilled direction of Leon Radojkovic, the band come together smoothly as one voice, either to help instill a sense of drama, build up the narrative of a song or simply to complement the vocal performance.  Throw in the well-timed, effective use of lighting too and what you get is sublime and decadent music magic.

BREL is a cabaret and theatrical masterpiece and an absolute triumph.  Michael Hurst’s accomplished direction has succeeded in creating a mesmerizing and unforgettable musical tribute to one of the greatest artists in the twentieth century.  This is not only a vocal spectacle and musical journey you must experience but one that you NEED to.

The Whimsical Banana rates BREL: 5/5 bananas

BREL is at the magnificent Concert Chamber in the Town Hall until 24 November.  For more information and to buy tickets, click here.